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PingInfoView v2. Posted on Scene group AiR has Audio Pirate: Propellerheads ReCycle v2. ReCycle V2. The Envelope also has a Stretch parameter, which artificially creates longer slices when a loop is played back at slow tempos. The effect is sometimes like a reverse reverb, but can often help fill in gaps that would otherwise be distracting when a loop is playing much more slowly than its base tempo.
The Transient Shaper is essentially a compressor, with threshold, amount, attack and release controls, and a level meter. The effect is triggered at each slice break rather than by audio peaks, and can, again, be quite aggressive to the point of distortion , but it really helps level out uneven loops, or add punch and energy — not to mention volume — to slightly lifeless samples.
Lastly, the EQ is a deceptively simple affair. There are four 'bands': high and low cut centring on 15Hz and 20kHz respectively , and two parametric bands with full control over frequency, bandwidth and gain. The lower parametric band has a centre frequency of 20Hz to 3kHz and the high ranges from 1.
Whatever you need an EQ to do can be done here, such as removing hiss from a noisy sample or adding a bit of 'oomph' to a drum loop's bottom end. The software always knows what the sample's original tempo is, but you're free to define a default for the finished file, and it will be this tempo that's noted by other applications using the file, such as Reason 's Dr.
Last of all, a Gate Sensitivity control applies gating to each slice; the knob simply adjusts the gate's threshold. In addition, DSP options include normalisation for the whole loop or each individual slice , sample format change, convert to mono, DC removal and loop cropping. The latter is used in conjunction with the rather tiny loop start and end markers located at the bottom of the display, and discards any audio outside their limits.
One major difference between this and previous versions of Recycle is that it's bundled with a stripped-down version of Propellerhead's core application, Reason, known here as Reason Adapted. The Adapted rack features three Dr. Rex loop players into which you can load your Recycle d loops, plus one NNXT advanced sampler, an RV reverb, a Remix mixer and the track-based sequencer.
The package also includes a specialised Sound Bank that's loaded with samples, drum kits and patches. There are a number of things that you'll be free to do within Reason Adapted for Recycle: load whatever REX files you'd like into the Dr. Rex es, load samples into NNXT, repatch the supplied devices, save finished songs, and bounce loops and songs as audio. But there's a load of operations that you won't be able to manage, such as saving NNXT and RV patches any settings you make will be saved as a part of an Adapted Song, though.
If you want more devices and effects, you'll have to upgrade to the full version; check out the supplied demo first, and see if your credit card doesn't twitch! There are a couple of options when it comes to moving your loop outside the program. First of all, just saving the processed file stores the audio, together with all settings. This file can be loaded into the Dr.
A Recycle d audio parts sits in a Cubase SX track and stretches or shrinks to match the tempo you select. And here's what the first bar of a two-bar loop taken from a full audio mix looks like, sliced on the grid. To import a processed file to other applications, it may be necessary to save each slice individually. As part of this process, you can save a Standard MIDI File that recreates the 'feel' of the original loop by providing triggers for each slice in all the right places.
The slices could be loaded into a software sampler, mapped, and triggered from the MIDI file. One thing it is not possible to do is directly export the slices to an attached hardware sampler. This feature has been removed from Recycle as of version 2. Most hardcore samplists now use computers, and stand-alone hardware studio samplers are not exactly plentiful these days. And if you're using a sampler-equipped workstation synth, you'll have to transfer the slices via USB connection or media card.
Finally, let's not forget that a Recycle d file can be exported as a single sample. In this and other cases, it's possible to silence, or gate, individual slices, which is useful to eliminate clicks, breaths, and other noise.
Recycle remains an essential tool for anyone working with loop-based music — though remember that it has no recording facilities, and is not a composition environment like Sony's Acid. You can use it with drum patterns, vocal phrases, bass lines, piano licks, in fact almost anything. Rhythmic audio, or any audio which you know the bar length of, can be sliced really easily and quickly.
No matter what style of music you're into, you can be sure there's a loop out there that can spice your track up a little, or even lift it to completely new heights. But handling loops and grooves equals hard work. Hours of pitching and stretching just to get a loop to fit your song's tempo and timing.
And if you need to change the key, you're in for even more work. In the end, your loops are controlling you, instead of vice versa. But help is on its way. From Propellerhead Software comes a suite of programs that gives you full creative control over your looped material!
Welcome to ReCycle 2. ReCycle goes way beyond simply solving groove problems and cleaning up your loop act - it's a highly creative tool that helps you make the most of your grooves. In simple terms, ReCycle lets you do with sampled loops what you can do with beats programmed from individual drum sounds - like alter the tempo, or replace sounds and process them individually.
ReCycle turns concrete-rigid loops into musical modeling clay, allowing you, the loopist, to do pretty much what you desire. Tempo and Timing Automate the tedious process of making a sampled groove fit the tempo of your song.
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