UVI Falcon 2 comes with an expansive, curated sound pack that makes it easy to jump right in and start sculpting sounds immediately. Simply drag and drop samples and effects into UVI Falcon 2 to layer parts and build up sounds, quickly and effortlessly. Create unique sounds with deep control over every aspect of your patches.
UVI Falcon 2 includes Factory Sounds, a versatile and extremely high-quality collection of 1, patches. Explore your creative possibilities—from classic synths, percussion, and physical modeling, to sample-driven multi-granular soundscapes and multi-oscillator hybrids.
UVI Falcon 2 and UVI Workstation come with Plugsound Avid Edition, a great-sounding sample library loaded with high-quality keyboard sounds, synthesized sounds, loops, drums, percussion, fretted instruments, and more to help get you started.
Work with a wide variety of audio loops, samples, files, and instruments, including Soundbanks. Classic compressors and EQs. Groundbreaking virtual instruments. Legendary stompboxes. Powerful reverbs. Imagine being able to collaborate on a project with bandmates, another artist, songwriter, or producer without anyone leaving their house. With Avid Cloud Collaboration, endless creative possibilities and opportunities await.
All you need is Pro Tools audio-production software and an Internet connection. With Avid Link in the Pro Tools interface, you can find and connect with a community of music creators and audio professionals to collaborate and expand your creative opportunities. Plus, get your music heard on Apple Music, Spotify, Pandora, and dozens of other major streaming outlets with AvidPlay.
Power your sound with the tools that power the industry. Capture, design, and build up rich sonic elements and ambience that bring life to moving pictures. From trimming clips and nudging video frames, to adjusting gain levels and working with 3D audio, Pro Tools makes it fast and easy to tweak and sync sounds to picture. Pro Tools makes it easy to import and conform sequences from video editorial for audio post production. You can also quickly exchange mixes between audio and video teams as AAF files.
With Clip Effects, you can apply real-time EQ and dynamics to a single audio clip or clip group, enabling multiple clips to have different effects and settings without affecting the rest of the track. Not only does it save you time, it provides better session efficiency. Get the mixing power and hands-on control you need to handle the most complex Dolby Atmos and Ambisonics productions. Automate anything—levels, plugins, pans, and more—and Pro Tools will handle the multitude of element adjustments, dynamics, and complex movement tasks for you.
So you can focus on creating and delivering your best mix. Mix soundtracks comprised of hundreds of tracks and thousands of clips efficiently with groups. Create a Mix Group to make adjustments to multiple tracks simultaneously. Use VCA masters to adjust overall group levels while maintaining individual track automation.
When using a control surface, you can spill VCA groups across your controls to make quick tweaks to individual tracks. That means you can deliver Netflix-ready mixes quickly, easily, and confidently. Deliver mixes between audio post-production teams and organizations easily, with the ability to bounce multiple Pro Tools stems into a single WAV file.
Recipients can then open the stems in separate Pro Tools tracks on file import, preserving the original mixes. Together, Pro Tools software, hardware, and Avid control surfaces are the most widely used solution for mixing immersive audio in Hollywood.
Get the most efficient Dolby Atmos mixing workflows in the industry. Work natively with Atmos 7. And get deep Avid control surface integration to accelerate the entire mixing process with hands-on precision. Streamline your mixing and monitoring workflow with a solution that enables you to pre-mix Dolby Atmos projects in any room.
Create immersive full-sphere surround sound mixes for virtual reality productions—from start to finish. Easily edit and mix audio in a 3D space with support for first-, second-, and third-order Ambisonics formats across your Pro Tools tracks and busses. Then output and deliver content to the required format for playback. Pro Tools is more than just software. Speed up editing and mixing tasks with a full transport, focus fader, jog wheel, and touch control in an ultra-portable surface.
Working in concert with the free Avid Control app, Avid Dock provides the access and tactile precision you need to complete projects quickly. Mix with the speed and visual feedback of Avid's high-end consoles in a slimline surface. Avid S1 works together with the free Avid Control app on your tablet, providing 8 faders and Avid S6-style metering and processing views to create great-sounding mixes fast. Get a streamlined yet versatile mixing system for music and audio post.
Based on the award-winning Avid S6 control surface, Avid S3 delivers intelligent control over every aspect of Pro Tools and other DAWs, all in a more portable and affordable fader surface. Get world-class mixing for smaller studios for budget-conscious pros and smaller facilities.
Avid S4 boosts your mixing efficiency with the same touchscreen and Dolby Atmos workflows in a semi-modular design that provides intelligent DAW control. Experience the most intuitive, immersive mixing workflows for modern sound engineers. Avid S6 provides superior ergonomics, intelligent studio control, and the most efficient Dolby Atmos workflows in a fully customizable surface, enabling you to create the best sounding mixes possible—faster.
Record and mix faster and easier than working with a mouse and keyboard alone. For artists, bands, and producers, Pro Tools Carbon is a new breed of audio interface—built to capture brilliance. So you can push your computer to the limit when you mix and record through AAX DSP plugins with near-zero latency monitoring. All at the touch of a button. All in Pro Tools. Engineered for the highest performance, customization, and expansion.
They enable music and audio post professionals to deliver their most demanding work. Without constraint. Expand your creative opportunities with solutions to extend your Pro Tools capabilities, integration, and workflow. Accelerate your media workflow with a unified platform that enables teams to collaborate anywhere.
Simplify multi-operator mixing by controlling multiple Pro Tools systems from a single interface. Before we start looking at the Pro Tools side of things we need to make sure the appropriate drivers have been installed, for those who are not aware, a driver is a small bit of software which allows your computer and hardware device to talk to each other. Note: Bottom line of this section, the best start to avoid issues later on is to grab and install your drivers first.
So now we have our drivers installed, we can open up Pro Tools and get stuck in. Note: The Pro Tools Aggregate device is intended solely for use with your internal Mac inputs and outputs, for best performance you should resort to the default settings.
We mentioned earlier that after you select your hardware from the peripheral list you will be presented with a range of options, one of which is the Sample Rate. This option allows you to set the default sample rate when a new session is created, this setting is only available when there is no Pro Tools session open.
If you looked at this section while a session was open, it would simply display the sample rate of that current session and would not allow you to change it until that session is closed.
Note: You are of course still able to set the sample rate when creating a new session, these hardware setup options simply save you the hassle of having to select each time. Pro Tools HD and HD native hardware allows you to change the default sample rate from either the hardware setup window or the playback engine, it should also be noted that the sample rate setting on HD systems can have an affect on the number of voices available within your sessions.
Clocks alone can be a deep subject, so while that information is useful to know, this tutorial will go as far as the brief explanation above, as well as how the clock source can be changed when setting up your hardware.
Note: Any changes you make to the clock source in the session setup window will change those in the hardware setup window, and vice versa. In this tutorial, we will show you how to setup an audio interface in Pro Tools.
After this step has been achieved supposing this is the first time using the software , it is recommended to setup the audio interface for proper assignment of the hardware with the program. The article assumes the user has already created a new session in Pro Tools, and we will begin the process of setting up the audio interface with the Pro Tools software opened.
Once the new session has been created, the Pro Tools edit window empty should look like this:. The picture above shows an empty Pro Tools edit window. The picture above shows the Playback Engine window.
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